Jonathan Swift’s Use of Size Satirizing the Negative Form...

Swift reveals the negative side of the Europeans in the 18th century. He satirizes Gulliver and the different inhabitants Gulliver comes across. By using size, Swift shows the dreadful sides of the Europeans and their faults. Although some readers say that Swift uses size in Gulliver’s Travels to satirize people positively, he uses satire to reveal the negative side of people showing their human pride, existence, and knowledge. First of all, Swift claims that Gulliver’s size symbolizes misplaced human pride. He uses the Lilliputians, Houyhnhnms, Yahoos, and Gulliver to point out the misplaced pride of humans. Swift writes, â€Å"...and the promise of honour I [Gulliver] made them [Lilliputians], for so I interpreted my submissive behaivour,†¦show more content†¦He uses the Laputans, Houyhnhnms, Yahoos, and Gulliver to compare the array of intelligence. According to Swift, â€Å"†¦although they [Laputan woman] live here in the greatest plenty and magnificence†¦and take the diversions of the metropolis, which they are not allowed to do without a particular licence from the king†¦Ã¢â‚¬  In other words, Swift believes Gulliver’s size symbolizes a vast range of knowledge. Swift reveals the Laputan’s knowledge, which is not made socially useful. Of course, many will probably disagree with this assertion that Swift satirizes the knowledge of the Laputans to the knowl edge of the Englishmen at the time, but he acknowledges the Englishmen’s use of knowledge negatively. In addition, Swift states, â€Å"When I [Gulliver] happened to behold the reflection of my own form in a lake or a fountain, I turned away my face in horror and detestation of myself, and could better endure the sight of a common Yahoo, than of my own person.† Swift believes that the Houyhnhnms, the horse race, show their intellectual size versus the Yahoo’s intellectual size. Swift uses the horses and Yahoos to show the misplaced intellectual sizes. Of course, many will disagree with this assertion that the Houyhnhnms shows a â€Å"utopia.† While it is true that Swift may use the intellectual sizes for a different purpose, it does not necessarily follow that Swift doesn’t use the Houyhnhnms, Yahoos, and Gulliver to show theShow MoreRelatedLockean Philosophy in Jonathan Swifts Gullivers Travels3527 Words   |  15 Pagesshaped within the same matr ix of cultural forces and events, they reveal through their respective works a similar ideology. The purpose of this paper is twofold: first, to explore the parallels between Lockes Some Thoughts Concerning Education and Swifts Gullivers Travels, using textual evidence and literary criticism; and second, to compare the methods prescribed by Locke and Swift for education, taking into account some cultural views in the eighteenth-century. The first half of the eighteenth-centuryRead More Comapring Naivete and Satire in Jonathan Swifts Gullivers Travels and Voltaires Candide2292 Words   |  10 PagesNaivete and Satire in Jonathan Swifts Gullivers Travels and Voltaires Candide       A child has the ability to make the most critical and objective observation on society and the behavior of man. How is this possible? A child has yet to mature and lacks proper education and experience. However, it is for this very reason that a child would make the perfect social scientist; his or her naivete may provide an excellent means of objective criticism and most often satire. A childs curious

Kill A Mockingbird By Harper Lee - 1981 Words

Gaze at the timeline of history and one will stumble across selfish acts that have dominated our era – acts that have defined people’s true character and make a firm line for where their morals stand. It is rare to find a person that will put their needs before any others in the moment simply due to it being their first instinct – people whose morals are designated to helping others at all cost before their own. Morality is not defined by skin color, race, or social class; it is defined by the good intentions people have for others solely for who they are, despite what race they may be. Within To Kill a Mockingbird by Harper lee, a plethora of characters such as Mr. Underwood, Calpurnia, and Link Deas radiate true morality with the actions they portray. Whether it be by giving the respect to someone they deserve despite what race they might be, or not sitting back and watching an innocent person suffer despite what troubles may lead down the road, these character s put aside the racial quota within Maycomb. They don’t let the label of â€Å"blacks† let them see who the person really is, they define the person by their character and who they are on the inside and not what’s seen on the out. Lee first introduces morality when Mr. Underwood writes an article in the newspaper in tribute of Tom’s death. The social structure within Maycomb fixates itself around blacks having a certain role within society and whites permanently surpassing those who are colored. Mr. Underwood is capableShow MoreRelatedKill A Mockingbird By Harper Lee1049 Words   |  5 PagesTo Kill a Mockingbird: How a Story could be based on True Events in Everyday LifeDaisy GaskinsCoastal Pines Technical Collegeâ€Æ'Harper Lee was born in Monroeville, Alabama. Her father was a former newspaper editor and proprietor, who had served as a state senator and practiced as a lawyer in Monroeville. Also Finch was known as the maiden name of Lee’s mother. With that being said Harper Lee became a writer like her father, but she became a American writer, famous for her race relations novel â€Å"ToRead MoreTo Kill a Mockingbird by Harper Lee1000 Words   |  4 Pagesworld-wide recognition to the ma ny faces of prejudice is an accomplishment of its own. Author Harper Lee has had the honor to accomplish just that through her novel, To Kill a Mockingbird, a moving and inspirational story about a young girl learning the difference between the good and the bad of the world. In the small town of Monroeville, Alabama, Nelle Harper Lee was born on April 28, 1926. Growing up, Harper Lee had three siblings: two sisters and an older brother. She and her siblings grew up modestlyRead MoreKill A Mockingbird By Harper Lee1290 Words   |  6 PagesHarper Lee published To Kill a Mockingbird during a rough period in American history, also known as the Civil Rights Movement. This plot dives into the social issues faced by African-Americans in the south, like Tom Robinson. Lee felt that the unfair treatment towards blacks were persistent, not coming to an end any time in the foreseeable future. This dark movement drove her to publish this novel hopeful that it would encourage the society to rea lize that the harsh racism must stop. Lee effectivelyRead MoreKill A Mockingbird By Harper Lee873 Words   |  4 PagesIn the book, To Kill a Mockingbird, Harper Lee illustrates that â€Å"it’s a sin to kill a mockingbird† throughout the novel by writing innocent characters that have been harmed by evil. Tom Robinson’s persecution is a symbol for the death of a mockingbird. The hunters shooting the bird would in this case be the Maycomb County folk. Lee sets the time in the story in the early 1950s, when the Great Depression was going on and there was poverty everywhere. The mindset of people back then was that blackRead MoreKill A Mockingbird By Harper Lee963 Words   |  4 Pagesgrowing up, when older characters give advice to children or siblings.Growing up is used frequently in the novel To Kill a Mockingbird by Harper Lee. Harper Lee uses the theme growing up in To Kill a Mockingbird to change characters opinion, develop characters through their world, a nd utilizes prejudice to reveal growing up. One major cause growing up is used in To Kill a Mockingbird is to represent a change of opinion. 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Scout Finch, the main character of Lees Novel, To Kill a Mockinbird, was also a tomboy. Many aspects of To Kill a Mockingbird are autobiographical (Castleman 3). Harper Lees parents were Amasa Coleman Lee and Frances Finch Lee. She was the youngestRead MoreKill A Mockingbird By Harper Lee1695 Words   |  7 PagesIn To Kill a Mockingbird Harper Lee presents as a ‘tired old town’ where the inhabitants have ‘nowhere to go’ it is set in the 1930s when prejudices and racism were at a peak. Lee uses Maycomb town to highlight prejudices, racism, poverty and social inequality. In chapter 2 Lee presents the town of Maycomb to be poverty stricken, emphasised through the characterisation of Walter Cunningham. When it is discovered he has no lunch on the first day of school, Scout tries to explain the situation to MissRead MoreKill A Mockingbird By Harper Lee1876 Words   |  8 PagesThough Harper Lee only published two novels, her accomplishments are abundant. Throughout her career Lee claimed: the Presidential Medal of Freedom, Pulitzer Prize for Fiction, Goodreads Choice Awards Best Fiction, and Quill Award for Audio Book. Lee was also inducted into the American Academy of Arts and Letters. This honor society is a huge accomplishment and is considered the highest recognition for artistic talent and accomplishment in the United States. Along with these accomplishments, herRead MoreKill A Mockingbird, By Harper Lee1197 Words   |  5 Pagessuch as crops, houses, and land, and money was awfully limited. These conflicts construct Harper Lee’s novel, To Kill a Mocking Bird. In To Kill a Mocking Bird, Lee establishes the concurrence of good and evil, meaning whether people are naturally good or naturally evil. Lee uses symbolism, characterization, and plot to portray the instinctive of good and evil. To Kill a Mocking Bird, a novel by Harper Lee takes place during the 1930s in the Southern United States. The protagonist, Scout Finch,

Qa 380 Quiz 1 Free Essays

* T * PERFORMANCE measures that are established for a process are known as metrics. T * Once a process is identified, defined, evaluated, and redesigned, the benefits of the process analysis cycle are realized. F * A service blueprint is a flowchart of a service process that shows which of its steps has high customer contact. We will write a custom essay sample on Qa 380 Quiz 1 or any similar topic only for you Order Now T * The general principle that 80% of a company’s revenue is generated by 20% of its customers is known as the pareto concept. * A fishbone diagram identifies which category is most frequently observed out of all the categories for which you have data. F . a voluntary system by which employees submit their ideas on process improvements is used in the: opportunity identification phase of process analysis 2. the step in process analysis that immediately follows the process documentation phase is the : evaluate performance phase 3. the resources that management assigns to improving or reengineering the process should: match the process’s scope 4. process analysis focuses on: how work is actually done 5. an effective tool for showing steps of a service process with a high level of customer contact is: service blueprint 6. hich one of the following statements concerning flowcharts is NOT true. The dotted line of visibility separates activities subcontracted form those done in house 7. all of the following are steps in setting a time standard using the time study method EXCEPT: Consulting cost accounting data 8. the manager of a supermarket would like to know which of several quality problems to address first. A tool that would be most helpful would be a: perato chart 9. a restaurant manager tracks complaints from the diner satisfaction cards that are turned in at each table. The data collected from the past week’s diners appear 10. the first step of the systematic approach to process analysis is (opportunity) 11. process (scope) is the boundary of the process to be analyzed. 12. A voluntary system by which employee submit their ideas on process improvements is called a (suggestion system) 13. (Metrics) are performance measures that are established for a process and he steps within it. 14. A group of people, who are knowledgeable about the process, meets to propose ideas for change in a rapid-fire manner. Such a session is called (brainstorming) How to cite Qa 380 Quiz 1, Essay examples

Donatello Essay Example For Students

Donatello Essay Michelle HoellProfessor Kranz Humanities 216 Nov. 2001 Donatello is known as the most important sculptor of the Early Renaissance. The author, John Pope-Hennessy noted him as ?one of the greatest artists who ever lived? (Pope-Hennessy p.11). Donatello was a modest person who was very dedicated to his works. Because of his great dedication, he was able to create so much art in so many different varieties (Poeschke p.5). Donatellos origins, his accomplishments, and his impact are important aspects to appreciate the sculptor, Donatello. Donatello was born on 1386 in Florence, Italy by the name Donato di Niccolo di Betto Bardi. (library p.1). His father, Niccolo di Betto Bardi, was a wool comber. It is thought that he learned his career from one of the stone sculptors for the Cathedral of Florence around 1400 (britannica p.3). He assisted Filippo Brunelleschi, with whom he may have visited Rome and studied monuments of antiquity there (Blood p.1). Donatello started sculpting at the age of twenty. Donatello created masterpieces with stone, clay, bronze, or gold (Poeschke p.376). He is said to have worked in Lorenzo Ghibertis shop and also had a shop of his own in Florence. Later in life he studied Roman Ruins and became a humanist. Donatello died on December 13, 1466 at the age of eighty. He never married and had no children (Blood p.1). Donatellos works can be separated into three periods. The first period is comprised of works done before the year 1425. During the first period, Donatello was greatly influenced by the Gothic style, yet classical and realistic influences were also Hoell 2present. During this time Donatello identified himself as a realist. Most of his weeks of this period were spent in Florence (Blood p.2). One of the works completed during the first period is the marble David was one of Donatellos earliest works, which was completed around 1412 (britannica p.2). On February 20, 1408, Donatello was commissioned to make one of the buttresses, which were going to be placed on the choir of the Duomo in Florence. A total of twelve buttresses were supposed to be made by several different sculptors but the task was never completed. When Donatello finally completed his work, it was criticized of being too small to be placed in its location, which was eighteen meters high. The David ended up in the Duomo workshops for a few years. Then, in July 1416, it was moved to the Palazzo Vecchio. Donatello was then paid five extra florins to make some alterations to the statue. This may be when the very intricate details were added to Goliaths face and hair. He may have also added details to the clothing, such as seams, folds and fringes, during this time. Because of this, Donatello was noted of putting much more importance into the details of the sculpture more than any sculptor of this time puts (Poeschke p.27, 377). A while later the Prophet David was given a place of honor in the city hall to represent political freedom. Donatellos David was chosen for this place. Ghilberti, the leader in International Gothic Style, influenced this sculpture. International Gothic Style consisted of soft curves, which the David processed. The construction of the drapery also had a Gothic look. This work was made for the Cathedral but was later moved to Palazzo Vecchio in 1416. There, the David symbolized civic patriotism. It was later shadowed Hoell 3by the huge Michelangelo version of David (britannica p.2). The David can be seen on page nine and is image one. Another work done during the first period is St. George. It was one of Donatellos most powerful works. It had demonstrated personality and confidence, which has not been seen since the classical antiquity (britannica p.2). St. George is i mage four on page ten. There appears to be holes made into the marble. These holes are thought to have held a wreath or bronze helmet on the head. The right hand was carved to hold a sword of lance made of bronze. The statue was completed on 1415 and the tabernacle niche in which is placed was completed around 1417 (Pope-Hennessy p.63, 64). It is unsure if Donatello had anything to do with designing the tabernacle in which St. George was but in, but it is certain he did the gable relief which is image two on page ten. The gable relief is the Christ figure holding a book and looking down on the saint. Donatello also did the St. George slaying the Dragon relief at the bottom of the tabernacle. This relief is an example of schacciato (Poeschke p.381). This relief can be seen on page ten, image three. The second period is comprised of the years between 1425-1443. Works influenced by antiquity can identify this period. During the years 1425-1435, Donatello worked with the Florentine sculptor ,Brunelleschi, and Michelozzo. For example, they worked together for the monument to Bartolomeo Arogazzi, which is located in the Cathedral of Montepuliciano (Blood p.2). The bronze David, completed from 1428-1432, was one of the earliest bronze sculptures. It was the first large scale free standing nude statue of the Renaissance. It Hoell 4was made for a private person whose identity is to this date unknown. The Davids recorded history starts with the wedding of Lorenzo the magnificent in 1469. It was placed in the center of the courtyard of Medici palace in Florence. After the expulsion of Medici in 1496, it was then placed in the Palazzo Vecchio (britannica p. 3). It is the first standing statue since antiquity that was intended to be seen from every angel. Therefore, it was meant to be freestanding since it was first commissioned. For this reason it may be suspected that the courtyard of the Palazzo Medici was its original place. It was later paid for by the city of Florence. It was placed in the Museo Nazionale del Bergello, Florence in 1880(Poeschke p.397). The Davids physical grace and beauty was one the Renaissances ideals (artchive p.4). The Bay leaves on the hat express romance. He portrays the life of a Shepard because he is facing down which suggest that the sun is beating on him. His pose seems very harmless even though he has a severed head at his feet. The David does not even seem strong enough to lift the sword he has. The piece represents the classical style but stand our more because of Donatellos modern touches. This work is thought to have influenced Ghilbertis Samson because the two works both have the same body position (Kos p.2). This sculpture differs from other of Donatellos sculptures because he concentrated more on the physical beauty of the piece instead of its bravery (Poeschke p.397). The David is image five on page eleven. A second work done during the second period is the Feast of Herod. This relief technique is called schiacciato, which means ?flattened out?. Donatello invented this relief technique, which was made extremely shallow carving throughout. It was like the carving was painting on with a chisel. Schiacciato used scientific linear perspective, Hoell 5which was invented by Brunellischi a few years before (britannica p.2). The Feast of Herod is one of the reliefs completed by Donatello using the method Schiacciato. This relief was completed between 1425-1427. It was one of two panels ordered from Jacopo della Quercia for the baptismal fonts of Siena Cathedral (artchive p.3). Originally, both reliefs were to be made by Jacopa della Quercia on April 16, 1417. The commission was given to Donatello no later than April, 13 1423. The model for the relief was not completed until the summer of 1425. The relief itself was not finished until April 13, 1427 (Pope-Hennessy p.387). It was the first relief to be built in accordance with the rules of perspective. For this reason it was noted in the history of art (artchive p.3). This piece also set new standard for a pictorial narrative (Poeschke p. 387). It can be seen on page twelve, image six. Back in the Kitchen EssayDonatello was a simple man in everything but his works of art. During three periods the artist can be seen through his work evolving according to the influences around him. From a very young age, Donatello was instructed by great minds in his field. Sculpture was an art form that Donatello took up from the age of twenty. Throughout his life he executed this talent impressively. His creations impacted many artists that followed. Many of his sculptures served as models for other sculptures that were created. During his time, he was known as a sculptor who slightly deviated from the norm of his time and did more than what was expected of a sculptor. His sculptures still exist to impact those to come. BibliographyBlood, Lindsey. The works of Donatello. 25 Jan 2001. *http://www.cyesis.org/student.projects/renaissance/lindsey/donatello.html*Donatello. 31 Jan 2001. *http://www.artchive.com/artchive/D/donatello.html*Donatello. 25 Jan 2001. *http://library.thinkquest.org/15962/data/donatello.html*Donatello.17 Jan. 2001. *http://www.britannica.com/bcom/eb/article/7/0,5716,31407+2+30901,00.html*History of Sculpture. 25 Jan. *http://www.britannica.com/brom/eb/article/printable/010,5722,117490,00.html*Kos, Adam. Donatellos Bronze David. 25 Jan. 2001. *http://www.chuckii.com/Reports/Art/Donatellos_Bronze_David.shtml*Poeschke,Joachim. Donatello and His Works: Sculpture of the Italian Renaissance. New York: Harry n. Abrams, Inc., 1990. Pope-Hennessy, John. Donatello. New York: Biggin Holding Ltd., 1993. ?All works consulted were cited?OutlineI IntroA. Pope-Hennessy quoteB. AbilityC. Thesis: Donatellos origins, his accomplishment, and his impact are important aspects to appreciate the sculptor, Donatello. II. BackgroundA. Birth1. Date2. PlaceB. FamilyC. EducationD. DeathIII. AccomplishmentsA. First period1. Before 14252. Art Style3. David (Marble)a. Initial reason commissionedb. Detail of sculpturec. City halld. Influence4. St. Georgea. Descriptionb. Tabernaclec. Gable Reliefd. St. George Slaying the DragonB. Second Period1. 1425-14432. Art Style3. David (Bronze)a. Reason commissionedb. Locations placedc. Descriptiond. Influence4. Feast of Heroda. Schiacciatob. Reason commissionedc. Importance in art historyC. Third Period1. Date2. Art Style3. Visit to Padua4. Gattamelataa. Reason commissionedb. Pedestalc. Reliefsd. Doorse. Comparison of Marcus Aurelius equestrian5. Mary Magdelana. Descriptionb. Locationc. InfluenceIV. ImpactA. RealismB. PupilsC. Modern sculptureD. PaduaE. FlorenceF. Early RenaissanceG. PaintersV. ConclusionA. EvolutionB. InfluenceDonatelloMichelle HoellProfessor KranzHumanities II16 Nov. 2000Illustrations CitedPoeschke,Joachim. Donatello and His Works: Sculpture of t he Italian Renaissance. New York: Harry n. Abrams, Inc., 1990. Pope-Hennessy, John. Donatello. New York: Biggin Holding Ltd., 1993. BibliographyIllustrations CitedPoeschke,Joachim. Donatello and His Works: Sculpture of the Italian Renaissance. New York: Harry n. Abrams, Inc., 1990. Pope-Hennessy, John. Donatello. New York: Biggin Holding Ltd., 1993. BibliographyBlood, Lindsey. The works of Donatello. 25 Jan 2001. Donatello. 31 Jan 2001. Donatello. 25 Jan 2001. Donatello.17 Jan. 2001. History of Sculpture. 25 Jan. Kos, Adam. Donatellos Bronze David. 25 Jan. 2001. Poeschke,Joachim. Donatello and His Works: Sculpture of the Italian Renaissance. New York: Harry n. Abrams, Inc., 1990. Pope-Hennessy, John. Donatello. New York: Biggin Holding Ltd., 1993. BibliographyBlood, Lindsey. The works of Donatello. 25 Jan 2001. Donatello. 31 Jan 2001. Donatello. 25 Jan 2001. Donatello.17 Jan. 2001. History of Sculpture. 25 Jan. Kos, Adam. Donatellos Bronze David. 25 Jan. 2001. Poeschke,Joachim. Donatello and His Works: Sculpture of the Italian Renaissance. New York: Harry n. Abrams, Inc., 1990. Pope-Hennessy, John. Donatello. New York: Biggin Holding Ltd., 1993. BibliographyBlood, Lindsey. The works of Donatello. 25 Jan 2001. Donatello. 31 Jan 2001. Donatello. 25 Jan 2001. Donatello.17 Jan. 2001. History of Sculpture. 25 Jan. Kos, Adam. Donatellos Bronze David. 25 Jan. 2001. Poeschke,Joachim. Donatello and His Works: Sculpture of the Italian Renaissance. New York: Harry n. Abrams, Inc., 1990. Pope-Hennessy, John. Donatello. New York: Biggin Holding Ltd., 1993.